Dragon - Wikipedia. Dragon. Grouping. Mythology. Sub grouping. Mythological hybrids. Dragon, commonly known simply as "Dragon the Revolutionary", is the father of the. Friendship is Magic, part 1 is the first episode of My Little Pony Friendship is Magic, which. Caulifla will go through an extreme transformation on the next episode of "Dragon Ball Super." Toei Animation Promotional image for "Dragon Ball Super.". Watch Gintama Season 1 (Eps 1-49) Episode 1 - You Guys!! Do You Even Have a Gintama? A Game of Thrones Community for Breaking News, Casting, and Commentary. A dragon is a legendary creature, typically scaled or fire-spewing and with serpentine, reptilian or avian traits, that features in the myths of many cultures around. Play preschool learning games and watch episodes and videos that feature Nick Jr. The Dragon Ball episode guide on SideReel features original episode air dates for each season, plus show reviews, summaries and more. Let the Games Begin! It’s the start of the KC Grand Championship! Sixteen of the world’s greatest duelists are all vying for a chance to. Similar creatures. Sirrush, Basilisk, Cockatrice, Wyvern, Qilin, Sea serpent. Mythology. Worldwide. Habitat. Mountains, seas, skies. A dragon is a legendary creature, typically scaled or fire- spewing and with serpentine, reptilian or avian traits, that features in the myths of many cultures around world. The two most well- known cultural traditions of dragon are. The European dragon, derived from European folk traditions and ultimately related to Balkans and Western Asian mythologies. Most are depicted as reptilian creatures with animal- level intelligence, and are uniquely six- limbed (four legs and a separate set of wings). The Chinese dragon, with counterparts in Japan (namely the Japanese dragon), Korea and other East Asian and South Asian countries. The English word dragon and Latin word draco derive from Greek. The Greek and Latin term referred to any great serpent, not necessarily mythological, and this usage was also current in English up to the 1. Morphology. A dragon is a mythological representation of a reptile. In antiquity, dragons were mostly envisaged as serpents. Since the Middle Ages, however, it has become common to depict dragons with legs, resembling a lizard. Dragons are usually shown in modern times with a body like a huge lizard, or a snake with two pairs of lizard- type legs, and able to emit fire from their mouths. The European dragon has bat- like wings growing from its back. A dragon- like creature with wings but only a single pair of legs is known as a wyvern. There is a modern tendency to depict dragons with back legs only and using their wings (walking on the carpal joints) as front legs, as it is thought that pterosaurs did. An example is Smaug as depicted in the film version of The Hobbit by Tolkien. Comparative mythology. The association of the serpent with a monstrous opponent overcome by a heroic deity has its roots in the mythology of the Ancient Near East, including Canaanite (Hebrew, Ugaritic), Hittite and Mesopotamian. Humbaba, the fire- breathing dragon- fanged beast first described in the Epic of Gilgamesh, is sometimes described as a dragon with Gilgamesh playing the part of dragon- slayer. Examples include Indra, who, according to the Rigveda, slew the serpent Vritra, Zeus, who, according to Hesiod's Theogony, slew the serpent Typhon, and Thor, who, according to the Eddas, slew the Midgard serpent. Hesiod describes Typhon as having one hundred heads. Vritra too is also described as multi- headed. Furthermore, in nearly every story, the serpent is always somehow associated with water. The Hydra was said to reside in the swamps of Lerna and the name . Some dragons are said to breathe fire or to be poisonous, such as in the Old English poem Beowulf. They are commonly portrayed as serpentine or reptilian, hatching from eggs and possessing typically scaly or feathered bodies. They are sometimes portrayed as hoarding treasure. Some myths portray them with a row of dorsal spines. European dragons are more often winged, while Chinese dragons resemble large snakes. Dragons can have a variable number of legs: none, two, four, or more when it comes to early European literature. Dragons are often held to have major spiritual significance in various religions and cultures around the world. In many Asian cultures, dragons were, and in some cultures still are, revered as representative of the primal forces of nature, religion, and the universe. They are associated with wisdom—often said to be wiser than humans—and longevity. They are commonly said to possess some form of magic or other supernatural power, and are often associated with wells, rain, and rivers. In some cultures, they are also said to be capable of human speech. In some traditions dragons are said to have taught humans to talk. This topos can be traced to the Chaoskampf of the mythology of the Ancient Near East (e. Yam, Marduk vs. Tiamat, Teshub vs. Illuyanka, etc.; the Biblical Leviathan presumably reflects a corresponding opponent of an early version of Yahweh). The motif is continued in Greek Apollo, and the early Christian narratives about Michael the Archangel and Saint George. The slaying of Vrtra by Indra in the Rigveda also belongs in this category. The theme survives into medieval legend and folklore, with dragon slayers such as Beowulf, Sigurd, Tristan, Margaret the Virgin, Heinrich von Winkelried, Dobrynya Nikitich, Skuba Dratewka/Krakus. In the Bible, the archetype is alluded to in the descendants of Adam crushing the head of the Serpent, and in Christian mythology, this was interpreted as corresponding to Christ as the Last Adam crushing the Devil. The blood of a slain dragon is depicted as either beneficent or as poisonous in medieval legend and literary fiction. In German legend, dragon blood has the power to render invincible skin or armor bathed in it, as is the case with Siegfried's skin or Ortnit's armor. In the Slavic myth, the Earth refuses it as being so vile that Mother Earth wishes not to have it within her womb, and it remains above ground for all eternity. The blood of the dragon in Beowulf has acidic qualities, allowing it to seep through iron. Heinrich von Winkelried dies after the blood of the dragon slain by him accidentally drips on him. Cartography. There is a widespread belief that earlier cartographers used the Latin phrase hic sunt dracones, i. However, the only known use of this exact phrase is in the Latin form . The 1. 53. 9 Carta Marina map of Scandinavia has many monsters in the North Sea and Norwegian Sea, as well as a winged, bipedal, predatory land animal resembling a dragon in northern Lapland. Animals that may have inspired dragons. It has been speculated that accounts of spitting cobras may be the origin of the myths of fire- breathing dragons. Such wayward crocodiles may have inspired dragon myths. Many ancient cultures, from China and India to Greece, America, and Australia, told tales of dragons, monsters, and giant heroes.. Jones suggests a hypothesis that humans just like monkeys have inherited instinctive reactions to snakes, large cats and birds of prey. Dragons have features that are combinations of these three. An instinctive fear for these three would explain why dragons with similar features occur in stories from independent cultures on all continents. In Slovenia, Johann Weikhard von Valvasor compiled folk stories on the Olm, a subterranean salamander, in The Glory of the Duchy of Carniola. It is mentioned as a baby dragon. Heavy rains of Slovenia would wash the olms up from their subterranean habitat, giving rise to the folk belief that great dragons lived beneath the Earth's crust, and the olms were the undeveloped offspring of these mythical beasts. Dragons are generally depicted as living in rivers or having an underground lair or cave. Banners of the Late Roman Empire frequently figured Dragons, possibly due to the fact that Marcus Aurelius took over 8,0. Sarmatian soldiers into the Roman army, for whom the Dragon was a part of their military insignia. The double- headed dragon banner thus came to represent the division between Western and Eastern Roman Empires. It has been suggested that the Welsh legendary name Pendragon came from the word . Pagan sacred sites and springs, supposedly associated with Dragons, were often later associated with churches of Saint Michael or Saint George. The Lusignan family of nobility in France is said to have descended from the union of a count with the Lady Melusine, who married him on condition that he did not spy on her bathing. The count violated her privacy, whereupon she changed into a dragon and flew away never to be seen again. The city of Ljubljana has adopted dragons as a symbol as a result of the dynastic connection of its former ruling family with the Lusignan family of Melusine. Southern Europe. Greek dragon. In ancient Greece, the first mention of a . The Loeb Classical Library translation (by F. C. Conybeare) mentions (III,7) that . These words are masculine forms of the Slavic word for . In Romania, there is a similar figure, derived from the Slavic dragon and named zmeu. Exclusively in Polish and Belarusian folklore, as well as in the other Slavic folklores, a dragon is also called (variously) . In South Slavic folklores, the same thing is also called lamya (. Although quite similar to other European dragons, Slavic dragons have their peculiarities. Russian dragons usually have heads in multiples of three. Some have heads that grow back if every single head is not cut off. In Ukraine and Russia, a particular dragon- like creature, Zmey Gorynych, has three heads and spits fire. According to one bylina, Zmey Gorynych was killed by bogatyr. Dobrynya Nikitich. Other Russian dragons (such as Tugarin Zmeyevich) have Turkic names, probably symbolizing the Mongols and other nomadicsteppe peoples. Accordingly, St George (symbolizing Christianity) killing the Dragon (symbolizing Satan) is represented on the coat of arms of Moscow. Some prehistoric structures, notably the Serpent's Wall near Kiev, have been associated with dragons. Armenian dragon. Statue of the Armenian god Vahagn the Dragon Slayer choking a dragon in Yerevan, Armenia. Historical Asian dragons. South Asia. Indian dragon. In the early Vedic religion, Vritra (Sanskrit: . Vritra was also known in the Vedas as Ahi (. In later Puranic mythology he came to be identified with an Asura. The Life of Apollonius of Tyana by Flavius Philostratus. Generally, dragons motifs are made for religious purposes. Such motifs are placed along the mukut in Naamghars. Dragons with a lion body are placed on the top of the gates of these Naamghars, which symbolises that they guard the ghar. Dragon Symbols are also used in clothes. Such dragon was engraved in the seal of Ahom kingdom of Assam. It was the traditional heraldic emblem of the Princely state of Manipur. Super Saiyan Blue . This form can be accessed by absorbing the powers of god, activating them and then transforming into a Super Saiyan, or through vigorous ki control training as seen with Vegeta in the Super anime. This form exceedingly surpasses its predecessor, Super Saiyan God. As the author explained it, and as Goku similarly mentions in the movie, the form is the result of a Saiyan with the power of Super Saiyan God further transforming into a Super Saiyan. And in regards to Vegeta he adds that he gave Vegeta black clothes because he figured that maybe Bulma had modified his combat uniform to add some slight improvements. On that note, it was constructed by the Capsule Corporation development branch under Bulma’s instructions. In an interview with Toyotar? Super Saiyan with blue hair dye? Unlike the previous godly form, the Saiyan's physical form remains the same. Super Saiyan Blue boasts a vibrant, fiery, electric cyan blue aura, as opposed to the blazing orange aura from Super Saiyan God. The aura surrounding the Super Saiyan Blue form also appears to be glittering somewhat, with small sparkling particles of energy travelling upwards within the flames, with occasional surges of electricity. If one inspects closely, a very subtle yellow glow can be seen on the outside of the aura as well. It was not directly stated why this is present, but it could be remnants of the original Super Saiyan transformation. This dual colored aura resembles that of Trunks's Super Saiyan Anger form. Unlike the main Super Saiyan transformations, the user's body does not glow in Blue form without an aura. The form can be obtained by a Saiyan who has become a Super Saiyan God and then retained the power, if the Saiyan utilizes the might of Super Saiyan God, and then attempts to transform into a Super Saiyan, they will instead naturally evolve into a Super Saiyan God Super Saiyan (Blue or Ros. And reactivating their non- god enhanced Super Saiyan form. Alternatively, as shown in the anime and by Goku Black in the manga, the Saiyan can evolve their Super Saiyan form into Super Saiyan Blue if they increase its strength until it surpasses Super Saiyan God. According to the game Dragon Ball Z: Extreme But. The form pushes the user's power, strength, and speed to new heights beyond those of previous Super Saiyan levels, as well as a calm mind that make it and its ki easier to control compared to the other Saiyan forms such as Super Saiyan 3 or Super Saiyan God, the ki control of this form allowed both Goku and Vegeta to suppress or increase their power with great ease, unlike Super Saiyan 2 and 3, which only increase their power to the full limit, this feature allowed Goku and Vegeta to hold back much of their power while in this form when fighting against certain opponents (a trait shared with and possibly stemming from the original degree of Super Saiyan mastery). This allows them to spar with much weaker opponents without overwhelming them immediately, as demonstrated in Goku's scuffles with Krillin, and his guard dropping to the point that Sorbet was able to greatly wound him. It is stated by both Goku and Vegeta that a calm mind and focus are required to use this form properly. The form's godly ki renders the Saiyan's own ki insensible by most mortals via ki sense, and only those who know how to sense godly ki can detect it. Despite the form's huge upgrade in power from the original Super Saiyan God, neither Goku nor Vegeta still could challenge Beerus alone, needing to fight together to be able to match him. This form was initially not powerful enough to defeat Golden Frieza at full power either, but due to Goku and Vegeta's experience with the form, Super Saiyan Blue was able to outlast Golden Frieza thanks to its efficient ki output compared to his unmastered transformations. This form becomes stronger through training, as Goku was able to match Golden Frieza in power during their next meeting, even though Frieza was noticed to have become stronger himself. Because of this form's perfect innate ki control and the calm mind required to attain it, this form can be combined with the Kaio- ken to create the Super Saiyan Blue Kaio- ken in the anime. The form's stamina flaw is elaborated on in the Dragon Ball Super manga: If the form is subsequently used multiple times in a row, on the second consecutive usage the form's abilities will all drop by over 9. Vegeta was unable to overwhelm Hit like Goku could, due to Vegeta already using the form against Cabba. Additionally, at less than 1. Super Saiyan God. This stamina flaw also exists in the anime, although it is never stated exactly how much power the user loses. Goku admitted that Super Saiyan Blue required too much energy to start the battle during the Universe 6 VS 7 tournament. By the time of the Zen Exhibition Match, Goku was able to repeatedly use the form and the Kaio- Ken without drawbacks, but even so during the Tournament of Power Goku and Vegeta still felt that they never want to constantly use the form right from the start of the tournament, and Whis noted that the form still drained a lot of stamina if it was already used so early in the tournament, prefering to fight in their regular Super Saiyan forms and using the Blue form when necessary. Later on in the manga, during the final fight against Black and Future Zamasu, Vegeta showed that this flaw can be bypassed by learning to perfectly switch back and forth between Super Saiyan God and Super Saiyan Blue in an instant, moving around as a Super Saiyan God and attacking and defending as a Super Saiyan Blue - allowing for much more powerful and more concentrated attacks. In addition, similar to Super Saiyan 4, the strain regarding ki becomes significant when utilizing the form in a fusion, whether by Potara earrings or presumably via Fusion Dance. This was especially demonstrated with Vegito's fight with Fused Zamasu, where the transformation ended prematurely. Trunks remarked that Vegeta and Goku should easily be able to beat Goku Black. As their battle continued, Vegeta was able to easily defeat Trunks. However, the aforementioned fight against Black turned out more difficult than expected. Vegeta and in the anime only Goku use this form while battling Goku Black, before and after he transforms into Super Saiyan Ros. Despite their efforts, in the anime Black's improved base form (which previously fought on par with Goku's Super Saiyan 2) was easily able to withstand most of the attacks Super Saiyan Blue Vegeta dealt, and in the manga Super Saiyan Goku Black manages to match Super Saiyan Blue Vegeta thanks to being healed by Future Zamasu and receiving a power up, and Black's transformation into Super Saiyan Ros. In the anime, after training in the Hyperbolic Time Chamber and going back to the Future, Vegeta was shown to have increased his power through anger enough that in his Super Saiyan Blue form he managed to overpower and pummel Goku Black, who was in the Super Saiyan Ros. It is noted by Goku that in order to counteract the form's stamina drawback, Vegeta learned to transform into Blue for brief moments multiple times without his stamina dropping at all, something that allowed him to overwhelm Black. He dubs the form Super Saiyan Ros. However, before Vegito could perform the finishing blow, this form proved to be too powerful, and also strenuous, to be maintained and ultimately defused sooner than the estimated time. Due to Vegito using the Final Kamehameha against Fusion Zamasu, both Goku and Vegeta cannot transform into Super Saiyan Blue due to the technique's massive energy output, so Future Trunks had to transform instead, since he still had enough energy. Goku and Vegeta used this form again during Universe 6 and Universe 7's baseball match, and later when Goku fights Hit, who attempts to assassinate him and proved to be quite a match for this form - thanks to fighting at his very best using killing techniques, and with Goku unable to hit the assassin at all, because he was hiding in his Time Storage parallel world while he attacks the Saiyan using his deady Invisible ki blasts, and attacking him by surprise once briefly bursting out of his Time Storage parallel world - the fight ultimately ended in a stalemate when Super Saiyan Blue Goku unleashes a massive aura burst, and then destroys Hit's Time Storage world without the need to use Kaio- Ken, then launches a full- power God Kamehameha at Hit, with the assassin trying to hold his own against Goku's massive assault. Vegeta also used it during his training with Whis on Beerus' planet in preparation for the multi- universal tournament. Toppo later notes that even though Goku used the Super Saiyan Blue Kaio- ken during his fight with Bergamo, he was hiding his full power - which he used in Super Saiyan Blue against Toppo. Later, an irritated Vegeta later goes Super Saiyan Blue twice upon hearing Mr. Satan and Yamcha clumsily cuddling Bulla, which causes her to cry, much to the others' confusion. Later that day, Goku transforms into Super Saiyan Blue during his sparring session with Krillin at the top of Satan Building in an effort to test his true might, with Krillin feeling Goku's godly pressure, and Android 1. Gohan noticing a large gap in their powers. Krillin charges his Kamehameha while Goku charges his sightly larger God Kamehameha, both fighters fire their beams, and a beam struggle is initiated, while Android 1. Marron, and Gohan watch, as Goku slowly gains the upper hand during the beam clash. Struggling, Krillin tries to hold out his own with his own beam until the struggle is stopped when Android 1. Goku's God Kamehameha away. Krillin is knocked aback, twitching as if it is like an electric shock, when both husband and wife decided to fight as a team against him, but to their surprise, Goku reverts to his base form, exclaiming that the match is enough and that he learned a lot from them. Goku then used this form against Android 1.
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